No-No Boy
(eAudiobook)

Book Cover
Author
Published
Tantor Media, Inc., 2018.
ISBN
9781977325761
Status
Available Online

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Physical Description
9h 47m 0s
Format
eAudiobook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

John Okada., John Okada|AUTHOR., Ruth Ozeki|AUTHOR., & David Shih|READER. (2018). No-No Boy . Tantor Media, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

John Okada et al.. 2018. No-No Boy. Tantor Media, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

John Okada et al.. No-No Boy Tantor Media, Inc, 2018.

MLA Citation, 9th Edition (style guide)

John Okada, John Okada|AUTHOR, Ruth Ozeki|AUTHOR, and David Shih|READER. No-No Boy Tantor Media, Inc., 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDbb81b416-b8c7-b23f-5dd0-9dd963b41350-eng
Full titleno no boy
Authorokada john
Grouping Categorybook
Last Update2024-06-10 04:42:29AM
Last Indexed2024-06-15 01:53:51AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 29, 2023
Last UsedMay 18, 2024

Hoopla Extract Information

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    [synopsis] => First published in 1956, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. It was not until the mid-1970s that a new generation of Japanese American writers and scholars recognized the novel's importance and popularized it as one of literature's most powerful testaments to the Asian American experience. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys." Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle. As Ozeki writes, Ichiro's "obsessive, tormented" voice subverts Japanese postwar "model-minority" stereotypes, showing a fractured community and one man's "threnody of guilt, rage, and blame as he tries to negotiate his reentry into a shattered world."
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