Malcolm Lowry's Poetics of Space
(eBook)

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Published
Les Presses de l'UniversitÈ d'Ottawa/University of Ottawa Press, 2016.
ISBN
9780776623429
Status
Available Online

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Format
eBook
Language
English

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APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2016). Malcolm Lowry's Poetics of Space . Les Presses de l'UniversitÈ d'Ottawa/University of Ottawa Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2016. Malcolm Lowry's Poetics of Space. Les Presses de l'UniversitÈ d'Ottawa/University of Ottawa Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. Malcolm Lowry's Poetics of Space Les Presses de l'UniversitÈ d'Ottawa/University of Ottawa Press, 2016.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. Malcolm Lowry's Poetics of Space Les Presses de l'UniversitÈ d'Ottawa/University of Ottawa Press, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDa28532d4-d1ce-5b9f-57fc-8c7bd12bfd18-eng
Full titlemalcolm lowrys poetics of space
Authorauthors various
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-06-29 01:15:13AM

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First LoadedNov 6, 2023
Last UsedJul 1, 2024

Hoopla Extract Information

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    [synopsis] => This collection focuses on Lowry's spatial dynamics, from the psychogeography of the Letterist and the Situationist International, through musical forms (especially jazz), cinema, photography, and spatialpoetic writing, to the spaces of exception, bio-politics, and the creaturely. It presents previously unpublished essays by both established and new international Lowry scholars, as well as innovative ways of conceiving of his aesthetic practice.
In each of the book's three sections, critics engage in the notion of Lowry as a multi-media artist who influenced and was deeply influenced by a broad range of modernist and early postmodernist aesthetic practices. Acutely aware of and engaged in the world of film, sensitive to the role of the graphical surface in advertising and propaganda, and deeply immersed in a vast range of literary traditions and the avant-garde, Lowry worked within an intertextual space that is also a mediascape, one which tends to transgress, or at least exceed, neatly controlled borders or aesthetic boundaries. These new approaches to Lowry's life and work, which make use of new and recent theoretical perspectives, will encourage fresh debate around Lowry's writing.
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