Ali Smith

"From the Man Booker-shortlisted and Baileys Prize-winning author of How to be both: a breathtakingly inventive new novel--about aging, time, love, and stories themselves--that launches an extraordinary quartet of books called Seasonal. Readers love Ali Smith's novels for their peerless innovation and their joyful celebration of language and life. Her newest, Autumn, has all of these qualities in spades, and--good news for fans!--is the first installment...

"SHORT-LISTED FOR THE MAN BOOKER PRIZE Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith's novels are like nothing else. How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child...

"In the present, Sacha knows the world's in trouble. Her brother Robert just is trouble. Their mother and father are having trouble. Meanwhile, the world's in meltdown--and the real meltdown hasn't even started yet. In the past, a lovely summer. A different brother and sister know they're living on borrowed time. This is a story about people on the brink of change. They're family, but they think they're strangers. So: Where does family begin? And...

What unites Katherine Mansfield, Charlie Chaplin, Shakespeare, Rilke, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times, a woman trapped in modern times? Spring. The great connective. With an eye to the migrancy of story over time and riffing on Pericles, one of Shakespeare's most resistant and rollicking works, Ali Smith tell the impossible tale of an impossible time. In a time of walls...

Presents a meditative collection of writings on the nature of art and storytelling and incorporates tribute elements to iconic writers and artists throughout history.

«Dios había muerto: para empezar. Y el romanticismo había muerto. La gallardía había muerto. La poesía, la novela, la pintura, todas habían muerto, y el arte había muerto. El teatro y el cine habían muerto. La literatura había muerto. [...] Muchísimas cosas habían muerto. Sin embargo, otras no habían muerto, de momento. La vida todavía no había muerto. La revolución no había muerto. La igualdad racial no había muerto. El odio no...

La cuarta novela del Cuarteto estacional del finalista del Premio Man Booker, Ali Smith, es "un poema en prosa en alabanza de la memoria, el perdón, la broma y aprovechar el momento" (The New York Times) En el presente, Sacha sabe que el mundo está en problemas. Su hermano Robert sólo es un problema. Su madre y su padre están teniendo problemas. Mientras tanto, el mundo está en crisis, y la verdadera debacle ni siquiera ha comenzado todavía....

"Ahora no queremos Información. Lo que queremos es desconcierto. Lo que queremos es repetición. Lo que queremos es repetición. {... } Queremos que aquellos a quienes llamamos extranjeros se sientan extranjeros necesitamos que les quede claro que no pueden tener derechos a menos que nosotros lo digamos". ¿Qué une a Katherine Mansfield, Charlie Chaplin, Shakespeare, Rilke, Beethoven, el Brexit, el presente, el pasado, un hombre de luto por los...

"Why are books so very powerful? What do the books we've read over our lives-- our own personal libraries-- make of us? What does the unraveling of our tradition of public libraries, so hard-won but now in jeopardy, say about us? The stories in Ali Smith's new collection are about what we do with books and what they do with us: how they travel with us; how they shock us, change us, challenge us, banish time while making us older, wiser and ageless...

As the war deepens and spreads, Zanthred is a newly minted hero, a man of note. But jealous rivals on his own side might be as much a threat as the foe. On the other side of the world, Akai tries to rally support from the most unlikely of creatures: Humans. But is he to treat these strange, short-lived brutes as barbarians who cannot be yoked, or children who might be taught? The struggle continues in this second book in an ongoing epic of magic...